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Stephanie Syjuco Copies Stuff at Frieze Art Fair

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Stephanie Syjuco a talented young artist of rising prominence, recently created a smart project for the recent Frieze Art Fair. The Frieze fair sponsors artist projects that are site specific to the fair. For her commission Syjuco chose to use the opportunity to trouble the nature of the art fair itself by drawing connections between the high-end contemporary art market and global manufacturing. The project was called, “COPYSTAND: Autonomous Manufacturing Zone” and here’s her description of how it was organized:

A parasitic project, COPYSTAND is a live artwork counterfeiting event to be held within its own gallery booth space. During the week, a cadre of 3-5 artists at a time will be re-creating other artworks found within the Frieze Art Fair and displaying them as they are finished. All works will be available for purchase at a mere fraction of the cost of the originals, with a final liquidation sale happening on the last day. On the left side is the “production area” and the right side is the “gallery area” that will display the finished artworks.

In addition to herself, Syjuco brought a number of talented artists from around the world to participate, including:

Yason Banal, Filipino, resides in Philippines, Bernd Behr, German, resides in UK, Claudia Djabbari, German/Iranian, resides in UK, Gail Pickering, British, resides in UK, Jim Ricks, American, resides in Ireland, Maria Taniguchi, Filipino, resides in UK

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Photo by Sarah Douglas. Stephanie Syjuco and her copy of a Mark Wallinger, which sold for £500 ($820). It was a bargain compared to the original, which goes for £75,000 ($123,000) at the booth of Anthony Reynolds.

This project didn’t just catch our attention, read a great article about the project, titled, Faking it at Frieze by Sarah Douglas on the online magazine ARTINFO.

If you are in New York for Print Week ‘09 you can see more of Stephanie’s work at the Printeresting curated exhibit, One Every Day.

Towards a New Theory of Color Reading

This post shares its title with an installation/sculpture/printwork by Stephanie Syjuco currently on view (sorry- the show ended yesterday) at the Contemporary Art Museum in Houston, TX. Towards a New Theory of Color Reading is part of Syjuco’s solo exhibition, Total Fabrication. The piece consists of three offset “newspapers” in editions of 2000 displayed on palettes and free for museum visitors to take. Each of the three papers is based upon local Houston journals that cater to particular ethnic constituencies… El Dia (Spanish-Language), the Houston Forward Times (African-American), and the Manila Headline (Filipino-American).

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Syjuco was inspired by the election of Barack Obama, America’s first bi-racial president, to translate newpapers geared to limited audiences into a more common language, in this case the language of color. Each newspaper was reduced to four colors: Black (newspaper info like headlines and pagination), Yellow (text), Blue (photos), and Red (advertisements). Syjuco’s color system was applied to the election day editions of each of the three papers.

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Syjuco was born in the Philippines and lives and works in San Francisco, CA. According to the exhibition didactic, re-occurring themes in her work include mistranslation and misidentification, minimalist aesthetics, important historical moments, and the conventions of communication and museums.

This piece was really impressive in person- like a some kind of Bauhaus propaganda storage room. Gropius would be proud. Quite relevant and timely on any number of levels. It speaks to a hopeful impulse that communication can flourish despite cultural differences.

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CAM doesn’t allow visitors to take photos (?!?) so the picture of the installation is from Syjuco’s website; the rest of the pics are from my take-home copies of the newspapers. See more of the beautiful page spreads after the jump.

Read More After the Jump Towards a New Theory of Color Reading